"Because you were closeted with him here so long. You can't pretend at present, you know, not to have any art." This communication arrived in the morning, but Fleda would still have had time to wire a protest. She debated on that alternative; then she read the note over and found in one phrase an exact statement of her duty. Owen's simplicity had expressed it, and her subtlety had nothing to answer. She owed him something for her obvious failure, and what she owed him was to receive him. If indeed she had known he would make this attempt she might have been held to have gained nothing by her flight. Well, she had gained what she had gained—she had gained the interval. She had no compunction for the greater trouble she should give the young man; it was now doubtless right that he should have as much trouble as possible. Maggie, who thought she was in her confidence, but was immensely not, had reproached her for having left Mrs. Gereth, and Maggie was just in this proportion gratified to hear of the visitor with whom, early in the afternoon, she would have to ask to be left alone. Maggie liked to see far, and now she could sit upstairs and rake the whole future. She had known that, as she familiarly said, there was something the matter with Fleda, and the value of that knowledge was augmented by the fact that there was apparently also something the matter with Mr. Gereth.!

Fleda immediately guessed from his tone that he had not come in to say what she supposed; there was even something in it to confirm Mrs. Gereth's belief that their danger had dropped. She was sure, moreover, that his tribute to Mona's taste was a repetition of the eloquent words in which the girl had herself recorded it; she could indeed hear, with all vividness, the pretty passage between the pair. "Don't you think it's rather jolly, the old shop?" "Oh, it's all right!" Mona had graciously remarked; and then they had probably, with a slap on a back, run another race up or down a green bank. Fleda knew Mrs. Gereth had not yet uttered a word to her son that would have shown him how much she feared; but it was impossible to feel her friend's arm round her and not become aware that this friend was now throbbing with a strange intention. Owen's reply had scarcely been of a nature to usher in a discussion of Mona's sensibilities; but Mrs. Gereth went on, in a moment, with an innocence of which Fleda could measure the cold hypocrisy: "Has she any sort of feeling for nice old things?" The question was as fresh as the morning light. "Never mind how I feel, and never mind what I say when I'm furious!" Mrs. Gereth still more incisively added. "Of course I cling to you, you wretches, or I shouldn't suffer as I do. What I want of him is to see that he takes you; what I want of him is to go with you myself to the place." She looked round the room as if, in feverish haste, for a mantle to catch up; she bustled to the window as if to spy out a cab: she would allow half an hour for the job. Already in her bonnet, she had snatched from the sofa a garment for the street: she jerked it on as she came back. "Find him, find him," she repeated; "come straight out with me, to try, at least, to get at him!"

Her arrival took the form of a surprise very nearly as violent as that of the other time. The elements were different, but the effect, like the other, arrested her on the threshold: she stood there stupefied and delighted at the magic of a passion of which such a picture represented the low-water mark. Wound up but sincere, and passing quickly from room to room, Fleda broke out before she even sat down. "If you turn me out of the house for it, my dear, there isn't a woman in England for whom it wouldn't be a privilege to live here." Mrs. Gereth was as honestly bewildered as she had of old been falsely calm. She looked about at the few sticks that, as she afterwards phrased it, she had gathered in, and then hard at her guest, as if to protect herself against a joke sufficiently cruel. The girl's heart gave a leap, for this stare was the sign of an opportunity. Mrs. Gereth was all unwitting; she didn't in the least know what she had done, and as Fleda could tell her Fleda suddenly became the one who knew most. That counted for the moment as a magnificent position; it almost made all the difference. Yet what contradicted it was the vivid presence of the artist's idea. "Where on earth did you put your hand on such beautiful things?" "On the occasion, at papa's, that Mrs. Brigstock told you of, and one day, since then, down at Maggie's." "I mean literally everything. Go over them with the catalogue!"